Telephone Line

Dear James,

For every one of your cool-former-NME-reader posts, I post ELO. Besides, Wire were just an ELO rip-off. I was listening to this beauty on my way home and remembered this fact: All of ELO's videos from 1973 to 1980 were recorded in the same studio and on the same day, March 14th, 1973. For each video, ELO changed their clothes and facial hair in accordance with what they imagined would be the style over the coming year. Naturally, the songs were composed according to their predictions of the musical styles to come. The plan worked up to and including the 1979 album Discovery (or "Disco? Very!" as their fans call it), which made them the biggest selling act in the UK in 1979. Then it all went very wrong in 1981, for which ELO, having wrongly predicted that aliens would have invaded the planet and banned cellos, had recorded a synth-heavy, sci-fi album. The alien invasion failed to materialise and ELO went into eternal decline.

However, Jeff Lynne had one clever ace up his sleeve. The day after ELO recorded all their videos in one day, Jeff Lynne got pissed with his friends Bob Dylan, George Harrison and Roy Orbison, oh, and Tom Petty, I always forget him, and drunkenly tossed off a load of ironic 60s pastiches. Lynne then released the recordings in 1988, against the wishes of Harrison, Dylan, et al, and called it the Travelling Wilburys. True story.

I'm off to play snooker.

Dear Daniel,

Not sure what you're getting at with the NME-reader thing but it leads me to thinking that, over various years, I read Select, Mojo, Q, Melody Maker, Smash Hits and Look In and I'm sure Wire were mentioned in at least 4 of them. I remember fondly the Look In Chairs Missing pullout section with lyrics: "The lives of lambs, the shepherd cries / An afterlife for a silverfish / Eternal dust less ticklish."

I'm happy for you to post ELO. At least it's not Anthrax. I love the Disco?Very! thing. You bought me Discovery on vinyl at the same time as Atomic Kitten's Be With You was in the charts. I really and truly wish pop writers would come up with original music which is both modern and timeless, stuff like this (I hope). More often than not, however, they're nicking stuff from old records. I remember being very disappointed that Be With You wasn't an original piece of music, but not as disappointed as I was when I found out that the Crazy in Love music was not original.

Dear James,

I was looking for Los Clasiqueros' cumbia cover of Las Train to London when I found this funny guy, trying to fit the literal Spanish translation over the original song. I giggled.



Here are those Clasiqueros:

Paperback Writer/Rain

Dear James,

It was 40 degrees cee here yesterday so naturally today we´re about to have a big old storm. So I've smoked an 11am loogie and am now watching Beatles records. Such is the creative process.

I like these videos for the interesting shots they do, quite different to a modern pop video. Ringo is a killer in both videos, sitting around wondering where his drumkit is and then going for a wander in the grass. Oh, Ringo.

I love how this single is so representative of the crossover from Rubber Soul to Revolver, and you could say the same for We Can Work It Out/Day Tripper as the crossover between Help and Rubber Soul. It shows also that Paul got turned on to acid a year later than John and George.

There was a lengthy pause there while I read Revolution in the Head. Did you know, Got to Get You Into My Life was said by Lennon to refer to McCartney's belated first acid trip, something which McCartney later confirmed?

Hang on, though. This video was made for the Ed Sullivan show. Why make two videos of the same song?